Dischord, microtonality, free noise, artifice, high-fat riffs, and horns like jet engines make l'événements bucketrider's richest and most delightful work yet.
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Tim Catlin has taken the shimmering ephemeral nature of the guitar's indefinite identity and exploded it into a fine mist...
Imagine a time when not only acoustic and electric sounds, but also analogue and digital information were at war...
A disarming playful jazz which charms with its innocence and impresses with its brilliant musicianship...
Environmental recordings, abstracted textures and prepared instrumental gesture converge...
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Rarefied free improvisation which, though focused on miniscule sounds, is best appreciated at frighteningly loud volumes...
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"Electric guitar sounds digitally processed beyond recognition into brutal noisescapes and more delicate, sinewy compositions." Cyclic Defrost
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